The Kite String Tangle - 'The Kite String Tangle LP'

Australian electronic artist and producer The Kite String Tangle has dropped his debut self-titled album, and it is an absolute work of art.

This latest addition to the solo project of Danny Harley is an exploration into the idea of what success and happiness truly mean. The honesty that flows throughout the 11 tracks is crystal clear, with a heavy emotional quality reflected throughout the brave production choices and unburdened lyrics.

“It’s a dynamic album that I hope shows many sides to the music I make and what I’m trying to do with The Kite String Tangle, which is essentially to reach people and hopefully provide a soundtrack for their own existential crisis,” Harley said.

The album was written in his bedroom in order to retain that ‘bedroom producer’ ethos, wanting to create something honest, something of which he could be really proud.

“I think throughout the album you can hear me trying to find my sound and my place in the world, and whilst I wanted to create something timeless and cohesive, I think there’s also a clunky charm to when it sounds a little lost and confused. To be honest, it’s a good representation of how I was feeling throughout a lot of the process,” he said.

Having just released the visuals to ‘The Prize’ there’s no denying fans will be dusting off their dancing shoes right in time for his Splendour in the Grass set. It’s a party tune that will have you working up a sweat on a hot summery day, and will keep you warm during the cold winter nights.

‘Waiting’ on the other hand is an underground pulsating banger with a more melodious insight into the light and shade of what electronic music means to this producer. It’s simple in lyrical content but intricate in production conceptualisation.

As you go on this musical journey with The Kite String Tangle you’ll hear a strong presence of strings and horns, something Harley longed to record for a long time. You’ll even hear organs, pianos, drums and all manner of acoustic instruments dotted throughout.

“I’ve always wanted to record strings and horns but have never had the opportunity to up until now. I’ve always been trying to marry the worlds of more traditional song writing like Bon Iver, James Blake, London Grammar and Broods, with artists that are more heavy handed with their production like Odesza, Flume and Purity Ring,” he said.

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